• Very Good Sounding Audio Interface For Mac Download
• Very Good Sounding Audio Interface For Mac Mac

Table of Contents. An audio interface can also be an external sound card which is used for recording sound or music. When your computer already has a sound card then what's the need for another one? There are certain limitations of a built-in sound card. It can't support all types of recordings and this is why you may require an external sound card or an audio interface.

There are a number of audio interfaces available on the market and in the list below, we'll have a look at the very best. It would be just plain wrong not to mention Focusrite while we're on the topic of audio interfaces and microphone preamps. This company had been in the business for over 25 years and has made a name for itself as one of the top manufacturers of this type of gear. The Focusrite Scarlett 2i2 USB Recording Audio Interface is another exemplary product by Focusrite that comes equipped with 2 in and 2 out interface. This is a complete audio interface to satisfy all your recording needs. Pros: + Comes equipped with a rugged metal unibody case for durability and aesthetic appeal. + A great make by one of the best in the business.

The Apogee ELEMENT 46 Thunderbolt Audio Interface has it all. It allows you to mix different instruments together, mix instruments with vocals, and so much more, so you can achieve the clarity of sound you've always dreamed of.

All around, this sound recording device is just perfect. Pros: + 12 in x 14 out Thunderbolt audio I/O box, so that you can plug in as many instruments as you want. + This device comes with a 48v phantom power so that you can easily connect instruments, and line-level devices. + It also has 4 analog inputs and the best mic preamps. + The latency performance of this device is ultra-low.

If you're an audiophile and want perfect audio recordings, your audio interface becomes extremely important. One of the devices that can best serve this purpose is the Focusrite Scarlett Solo USB Audio Interface with Pro Tools. Pros: + Comes with a natural sounding Scarlett mic preamp with a lot of even gains. + If you love hot guitar pickups this is the audio interface to go for because of its newly designed instrument input. + Compatible with Windows and Mac, so that you can use it with any kind of operating system. With the Focusrite iTrack Solo Lightning & USB Compatible Audio Interface, you can rest assured that you're getting the very best.

This audio interface is excellent for mixing sound for recording instruments and vocals in incredible detail. Pros: + Comes equipped with a Focusrite high-quality microphone input. + Can record your vocals and instruments on your Lightning-compatible iPad. +Works with iPad, Mac, and Windows so that you aren't restricted to a particular operating system.

+ Aluminum unibody case for durability. Just consider an external sound card or an audio interface that is capable of fulfilling both home recording or recording on the move in mobile studios to the optimum level. Yes, the TASCAM US-2x2 USB Audio Interface has the ability to do so with the utmost of ease and that is because of the design and technology which is used in making this audio interface. Pros: + XLR 1/4' combination input jacks to give you maximum sound quality. + This sound card has zero-latency. + Angled design and aluminum body make it easier for desktop visibility. Audio Interface Buyers' Guide As a music director or producer, you want to input and output sounds from your computer.

Music sessions include various types of instruments that should be connected to the computer in order to edit them. You’ll need a device to convert analog audio signals into digital ones and vice-versa. In order to hook up your drum machines, microphones, guitars, etc.

You’ll need an audio interface. An audio interface converts the analog signals to digital signals for your computer and converts digital signals back to analog for monitors/speakers. An audio interface takes the signals from your instruments or microphones and digitizes them before sending them to your computer. You can relate it to an external sound card that is equipped with extra features. So now let’s jump in and find out how an audio interface works. An audio interface has ports on the front and the back.

On the front, there are microphone inputs, instrument inputs, and a headphone output. On the back, there are two monitoring outputs (speaker outputs), an interface output and an instrument input. Inputs In a recording interface, there will be usually three types of input ports, a microphone (XLR cable to Preamplifier), an instrument (TS/TR cable bypassing preamp), and a midi (digital information about how an instrument is played). Basically, an XLR input will be powered by a preamplifier while the TRS/Hi-Z power will bypass it. The modern audio interface includes gain knobs for controlling your microphone volume. In many interfaces, you’ll find a +48v phantom power button which is a small electrical charge that will run up to your microphone through an XLR cable. In high-end or mid-range microphones you will probably find an external power supply.

If it isn't available then you can use phantom power without worrying about over-powering or damaging your microphone. You’ll find a MIDI input.

This input is equipped with the keyboards that can output MIDI data so that you can replace your standard sounds with computer-stored or external bank sounds. MIDI inputs are not usually common in low-budget audio interfaces. Instrument inputs serve the same purpose, you can connect the various instruments in order to convert their analog signals to digital signals. Some audio interfaces don’t include one, so if you need to connect an instrument in the near future, you can use the Direct Injection box to take the input and output through an XLR cable. Outputs There are three types of output ports, a headphone (for personal monitoring), a monitor (room monitoring through speakers), and an interface cable (to communicate with the computer). Low-budget audio interfaces will feature only one headphone output with a dedicated control button for volume, while an expensive one could feature more than one. It also includes a dedicated headphone amplifier that offers a wide range of outputs.

Monitor output connects to your speakers so you can be assisted with critical listening. Most producers use XLR cables for outputting sound to the monitors but some prefer TRS cables.

There's a wide range of cables and connectors to choose from. Finally, there's an interface output that uses interface cables to take digital signals to your computer.

The cables are commonly USB or firewire, but newer options like ethernet cables are available. Thunderbolt cables are used for Mac computers. USB and firewire provide fast speeds so you can choose between the two according to your computer input availability. Likewise, there are adapters to switch between the two options.

The interface port or cable produces output to your computer but it also brings back audio to the speakers/monitors. The main components used for this port/cable are known as ADC (Analogue to Digital Converter) and DAC (Digital to Analogue converter). These change the audio signals from electrical to binary code so that your computer can understand it. It can also change it back from binary to electrical so that it can be inputted to the monitors. While recording your sound or using an audio interface professionally, delay of the command and execution of it can be a serious matter. When you say something in the mic, your sound is picked by the capsule, then sent through the mic cable to the audio interface. It's digitized and sent to computer, then the software receives it processes it and sends it back out, digital audio is traveled back to the audio interface and it' finally converted to analog for sending it out to headphones.

This process takes time and results in latency. This delay can distract you. So while buying your new audio interface, you must check for the direct monitoring feature. Direct monitoring enables you to hear the analog audio that is being plugged directly into the interface rather than hearing after it's processed by the computer. This eliminates the latency factor and gives you real-time sound. This feature is mostly found on audio interfaces with USB 1.0 as the slower speed makes them less prone to latency. Not all companies call it “Direct Monitoring” but you can easily identify this feature.

An audio interface with a knob has “mix” on one and “computer” on another side then it means that it supports direct monitoring. Top Pick The Scarlett 2i2 by Focusrite is an audio interface which features two award-winning Focusrite preamps. On the front panel, there's a Neutrik combination input for connecting line and instrument level signals along with the microphones.

This makes it the best for recording the digital stage piano along with the electric or acoustic guitar. It's also equipped with unique halo indicators which let you know about the signal strength. If it outputs red then it means your signal is experiencing interference and you should reduce the gain.

When a healthy signal is achieved, it will turn to green. It also has a large monitor dial for providing tactile control for volume control. A high-quality amplifier provides clean yet loud sound to your headphones. This audio interface features a direct monitoring function. If you turn this on you’ll hear what you’re recording through your monitors without the signals first having to go through a computer then returning back to headphones/speakers. This cuts off the latency factor while recording.

Every note and subtle detail are captured with great clarity, thanks to the 24-bit resolution sample rates of up to 96KHZ which is a very high digital conversion rate. With the package, you’ll get an authorized code for Ableton Live Lite as well as the Focusrite Scarlett Plug-in Suite and the Red 2 & Red 3 Plugin Suite upon registration of the interface.

Scarlett plug-in suites provide you with EQ, Compression, Gate and Reverb-essential tools so that you can add more to your mix. This audio interface box includes two high-quality award-winning Focusrite mic pres. These preamps are served same quality as that of the popular flagships, Saffire PRO 40 and Liquid Saffire 56. The anodized aluminum unibody chassis ensures that your audio interface can deal with the harsh environment. Scarlett 2i2 is very light and portable making it easy to carry and transport. You don’t need to add an additional power supply as it is equipped with bus power.

The Scarlett 2i2 has a firewire interface so that speed is not compromised. A phantom power option is also included for microphones without an external power supply. Direct monitoring feature, software, tough material, two high-quality mic preamps are the factors that have convinced us to list this product as our top pick.

Premium Pick Investing a lot of money into any type of gear can be a tough decision. We got you covered. The Element 46 Thunderbolt Audio Interface by Apogee is specially designed for Mac as they have a Thunderbolt interface port. With elite hardware features and stunning software advancements, this audio interface delivers the ultimate recording experience. This audio interface is equipped with a high-quality analog to digital converter for capturing every detail into your computer. It minimizes unwanted sounds with maximized signal quality.

Your tracks will deliver amazing sound and mixing is made much easier. The Element 46 features Apogee’s advanced stepped gain architecture mic preamps for capturing the slightest details of drums, dynamic vocals or strings. This analog circuit is engineered to dynamically optimize across a gain range of 0-75dB for delivering low distortion and amazing bandwidth. It's equipped with a high-quality digital to analog converter so you can interact more with the definition.

The clarity promises a helping hand for precise adjustments when you are mixing the track. On the input side, it has 4 Combi mic/line/instrument inputs with mic preamps and selectable 48v phantom power. On the output, this audio interface features 2 balanced L/R XLR monitor outputs & 2 independent ¼’ stereo headphone output. Features like Logic Pro X integration, the Apogee hardware control remote, and elementary control make this a premium choice. Great Value Do you want to invest less and get the best?

In that case, buy the Focusrite Scarlett Solo 2 nd gen. This audio interface is ideal for guitarists and songwriters. No matter how you play, the newly designed instrument can handle it all. Unwanted distortion lets you concentrate where it matters the most.

It has the latest in mic preamps so you can accurately set the levels. Instrument input has also been completely reengineered to easily handle hot guitar pickups. Converting your analog signals into digital signals then back again is the main purpose of an audio interface.

TheSolo 2 nd gen has a beautiful, crispier, clearer sound thanks to the world class leading conversion and samples rates of up to 192 kHz/24 bit. Latency or delay is another factor that shattars your workflow. This audio interface completely revolutionizes the concept thanks to Scarlett’s unrivaled round-trip latency which is as low as 2.74ms. With low latency, the latest in mic preamps, and sample rates of up to 192 kHz/24 bit, the Scarlett Solo 2 nd gen by Focusrite delivers so much beyond its price range.

What Interface Connections are Required? An audio interface consists of many input and output connections. For instance, a budget-efficient audio box will have fewer ports and a budget savvy one will include loads of Ins/Outs.

Before buying you need to know about every single type of ports and their functions. There are about 3 main inputs and outputs we'll focus on. Interface Connectors. Input Channel Types.

Input/output (I/O) Count The main purpose of an audio interface is to convert the analog signal to digital to transfer it to the computer. Interface connectors are used to connect the audio box to the computer. There are around 4 most common cable/port used. USB Universal Serial Bus is commonly used on budget audio interfaces as it is offered by every single computer. It has the slowest data transfer rate.

Firewire Firewire is used in high-end audio boxes and it offers a significantly faster speed compared to USB ports. Thunderbolt Thunderbolt connectors are usually found in the audio boxes/interfaces designed for Mac as they have an input thunderbolt port. They offer way faster data transferring speeds compared to both USB and Firewire.

PCIE PCIE ports are usually found in professional audio boxes because it offers additional processing power and fast data-transfer. Be sure to check your computer port when choosing an interface connection through which adapters can be used to convert the signals. Input Channel Types Be sure to check out the correct input channels as the real number of inputs is referred to mic preamp count, not the input count. For an instance, if you want to use your microphone as is without a microphone preamp, then you have less input for other instruments as those inputs are dedicated for microphone preamps. There are around 5 types of input ports.

Mic Input This input allows you to directly connect your microphone to the audio interface. Line Input This input allows the addition of an outboard mic preamp to amplify the microphone signals and to be used as a mic channel. Optical Input This input requires the addition of botha mic preamp and a digital converter with “optical out” to be used as a mic branch.

DI Input This input allows you toconnect your guitar or drum set. MIDI Input This input allows you to connect keyboard or midi controllers. Now be sure to check these inputs while buying your new audio interface and don’t confuse the type of input count with the total input count.

Input/Output (I/O) Count On a simple audio interface, I/O counts can range between 2-4 and on a professional audio box it can be above 14. The number basically depends upon your work type and the number of tracks you want to record at once. Solo musicians will need around 2-4 I/O counts as they’ll have a limited number of instruments to connect. A songwriting team may need up to 4-8 I/O count as working in a team means that every person is dedicated to one instrument which requires more I/O ports. Engineers who record bands can need a minimum of 16 ports as a whole band can include many instruments. What is DAW Compatibility and which Form Factor may I Consider When Buying an Audio Interface?.

DAW Compatibility DAW standards for Digital Audio Workstation. It's a software for editing, recording, and producing the signals that are digitized by the audio interface. Most DAW’s work with every audio interface but there are exceptions. Be sure to check your DAW compatibility on the product’s website. Form Factor Form factor simply refers to the physical size and shape interface of electrical products. In audio interfaces, there are two types of Form Factors.

Desktop Interfaces They are compact and can easily sit on a computer desk. Rackmounted Interfaces They are large as they include many I/O ports. They can be mounted in a standard rack size unit. If you are a beginner then you should consider a desktop interface as it is small and can be easily set up. If you're more old school, you should definitely go for the rack mounted interfaces as they have more I/O ports and a greater signal routing. How does an Audio Interface Work? An audio interface has two converts, Analog to Digital (ADC) and Digital to Analog Converter (DAC).

The first converts Analog signals to digital signals while the second does the opposite. Your instruments (guitars, drum set), microphones, keyboard etc.

Produce analog signals. When you connect them to the audio interface, the signals are converted by an Analog to Digital Converter so that they can be routed towards the computer. When the editing process is finished and you need to listen to the result, the interface cables send the digital signals back to the audio interface. The audio interface converts them to analog signals by a Digital to Analog Converter.

The analog signals are routed to the monitors (speakers/headphones) so you can listen to the outcome. What is On-Board Digital Signal Processing Software? Digital Signal Processing software or DSP, is included on audio interfaces that have 8 outputs or more.

This software helps you to edit and create mixes within your monitoring outputs. For instance, if you're recording with your team and you guitarist asks you to you can easily do so within the software without affecting the original sound you are recording. This software is also included in budget-efficient audio interfaces.

The software is copied to the CD which is inside the packaging. You have to install it to your computer because it also has software drivers for the interface output. Firewire, USB, Thunderbolt or PCIE? USB and Firewire provide 800 MB/s and all the way up to 1.25 GB/s. If you have loads of work then you either a USB and Firewire will do.

Both connections are easily available on the computer. If you're part of a team of up to 20-25 people, you might consider Thunderbolt, it delivers the lightning fast speed of 5 GB/s. However, the ports are mostly found on Macs. PCIE option is more complicated as it requires you to install a special sound card which isn’t common for home or professional studio use.

In most cases, USB or Firewire will do the job, but if you want some extra speed then you might consider a thunderbolt port. What's the Ideal Sample Rate and Bit Depth? Just make sure that your audio interface supports up to 24 bits and 48 kHz if you really want to compete with the current music industry standards. Many audio interfaces offer lower bit rates like 16 bits but the quality is substandard.

What's the Difference B etween a Sound Card and an Audio Interface? The main similarity between a sound card and an audio interface is that both act as the computer’s sound card. A good audio interface allows you to connect a variety of analog and digital signals. It also provides you with better digital clock and superior analog circuitry for improved sound quality.

You will experience whole new audio results compared to the basic sound card that comes with your computer. What are Line-level TRS Inputs and Outputs? Microphones output a very weak signal; they need to be amplified by a preamp when connected to a mic input. Line-level signals are very strong and don’t need a boost. So a microphone needs a different type of input connector for pairing with line-level. Line-level input and outputs usually have 1/4' TRS/TS jacks.

These are better at rejecting noise and reducing ground hum. You can connect your speakers, keyboard, external effects, compressors, limiters and anything elsef that has a stereo line-level output. What are MIDI ports? MIDI supported instruments can be handled/played directly. They allow you to send information into and out of a computer. People use MIDI feature to completely take over their instrument command in order to produce something new. MIDI ports are equipped with keyboards, guitars, etc.

I use this soundcard as the core of my home studio where I produce my music and mix and master songs for other people. I also use it as MIDI interface for my synths, an also to record them with Live. I use Live 9 to produce my music and Reaper for mixing and mastering and this card works fine in any situation with my two workstations. I chose it specially for TotalMix FX, which allows you to do complex routings and access a very good EQ and compressor without using the PC's processor.

UTILIZATION Very stable drivers, both with Live and Reaper. The overall latency of 7ms is imperceptible (for example, playing a guitar plugged directly into the card and using headphones to not disturb the neighbors, hahaha). GETTING STARTED Very easy installation, as well as the overall setup, no incompatibilities. The TotalMix software might make you scratch your head in the beginning, but you'll get it fast enough. OVERALL OPINION I have been using it for a bit over a year now (I used to have an FA-66, a Native Instrument Audio Kontrol, which I still use live because it's super sturdy, and also a MultiMix 8) and it is perfect for all my needs, besides having an excellent performance (compared to the other soundcards I mentioned, the difference in terms of audio quality is flagrant). TotalMix FX is a big plus due to its routing prowess and its quality DSPs. It's not cheap, but you know what you are getting.

I had a babyface and had the need of a light and quality interface for mobile recordings and live. UTILIZATION RME, my love. The optimized drivers are the most stable on the market. W7 64bit + i5 8gb, I can easily get down to 3ms of latency!

GETTING STARTED I still haven't looked into every feature of TotalmixFX, but given the possibilities it's very powerful and versatile. I still haven't tried to connect it to an ipad or a linux system, but it looks promising! OVERALL OPINION I've been using it for a month, my purchase was well-thought-out and I think it's gonna last. You can't demand much more from such a small unit. And if you ever need more, there's the UFX.

Twice the inputs with full RME quality. Excellent features but no MIDI control with a sequencer (DAW). For those who don't agree with my opinion: It can be useful for people who need MIDI automation, be tolerant! UTILIZATION No MIDI control,so it's useless in my studio. GETTING STARTED Very simple connections. OVERALL OPINION Excellent unit, BUT. After assigning the Fireface MIDI inputs/outputs in the DAW and arming the track, Totalmix sends no MIDI messages: The MIDI track remains empty and the MIDI message VUmeter doesn't move.

I tried all sorts of configurations, with and without MIDI cables: It's impossible to transmit MIDI messages between Totalmix and the DAW. RME ─ who is very active in the forums ─ has no intention of developing this function. The Fireface UCX is an USB interface that is made by RME. This interface is extremely low latency and caused no issues with using it on my Windows PC running Vista. This interface gives 36 channels of audio and each channel can be used at 1 time. But up to 8 analog and 10 digital channels can be recorded on 18 different tracks. UTILIZATION Setting this interface up was not hard, but it does take a little more time than your average interface because it is loading up the drivers and software.

The low latency converters are great on this interface, I have read bad reviews in the past of people saying that the latency was an issue for them and RME has not done a good job with this interface but to me the converters are great! GETTING STARTED The sound quality when using this interface is top notch, there are A/D and D/A high quality converters on all of the Ins and Outs up to 192 kHz. The best thing about the quality is that it will not color your sound, and it will not lose quality on your sound. It will record exactly what you give it, so having a good microphone is crucial when working with this interface. This interface sounds great but it does nothing magical, you will still need to have a good microphone and room acoustics to get the best possible quality.

But when paired with a good microphone this interface is one of the best out! OVERALL OPINION The price of this interface is pretty high but it is well worth the sound. The microphone and instrument preamps are excellent and all of the channels have switched 48V phantom power with LEds on the unit for clipping and signals. There is nothing not to like about this interface, I say make the investment in purchasing this because you may not need to ever purchase another interface after you get the Fireface UCX.

What characteristics have motivated your choice? Which instruments and systems (console, preamp, DTD.) you use it and how connections?

Logic, machinedrum, microphone jacks for audio, preamble, MPC and synthesizers. For what purpose? Audio recording, midi.

What is your config (Motherboard / CPU / Ram / Hard.)? Mac Pro 8-core 16GB SSD Hard Drives Os 10.7 UTILIZATION The drivers are stable? Yes no worries What software do you use most often?

Logic and live for inspiration How many tracks you get record / playback simultaneously? Generally between 30 and 40 tracks. But I never pushed to max. GETTING STARTED The installation is done it without problems? Yes The general configuration is easy?

Yes, however it is a logic that can destabilize the beginning but once grip is Ok The manual is clear and sufficient? Not have the opportunity to bone up. But I have to find solutions to my problems quite easily. OVERALL OPINION How long have you use it? For 8 months. Have you tried many other models before buying it?

I owned an audio delta m pci port and an apogee duet. What is the particular feature you like best and least? The command is good and it comes with a long cable that allows you to configure workstation. The ability to move the mouse (control volumes, the input level etc.) However the inputs on the rear panel are close enough.

I had to change my race cables to make it shine. Converters of high quality! How would you rate the quality / price? With experience, you do again this choice? Yes, but I look for a universal audio which allows for the famous plugins.

Only downside price! In addition, the rms is provided with two or three nice effects (compressor, reverb and chorus). I was looking for much more than my entry-level quality materials, with a constraint: use Linux as much as possible, because I have multiple operating systems including FedoraCCRMA, ubuntustudio, Tangostudio and KXstudio, and other time time experimentation. I only used because there is everything you need in preamps, phantom and inputs of all kinds for instruments, microphones and power lines including optical digital.

For now, only a little midi keyboard with virtual synth for my home studio is in the works, but I is electric guitars, piezo, low active / passive, and various acoustic instruments with a microphone. The number of physical inputs enables stable for each of my instruments wiring, simplifying management studio I hope. I will update after restarting the studio. My configuration: Ordinary VAIO 2010 64-bit, 8GB of RAM, two processors, external drives with USB 2.0. And Windows 7 X64.

The sequencer is Reaper in general, except Linux: Qtraktor, Audacity, under Qjackcrtl JACK. UTILIZATION Windows drivers are stable, provided to avoid plugging and unplugging hot, she loses control. Management software are delivered with more than stable, but require a little practice to understand, we are dealing with a full console routing, not a single sound card 'IO'. I have not reached the limit playback / recording, but 35 tracks effortlessly read with some VST effects at the same time do not fear him visibly.

For updates, I do not know, buying is still new, it has had an update. As for using Linux DC (USB2.0 compatible) mode, it comes up with a little practice and savvy to put in CC mode, but drivers 'class compliant USB 2.0' for my Linux distributions need a patch that I have not been able to find. In short, it is recognized but does not work. So, not possible to measure the latency and capabilities in Linux, which would have been nice and would have allowed me to test listening too, or the number of tracks etc. I look forward to updates version hoping the best on that side. I put great only as regards Windows. GETTING STARTED Easy installation with the supplied CD, or the executable downloaded from the manufacturer's website.

Very Good Sounding Audio Interface For Mac Download

General configuration easy with software. A 'settings' for the buffer settings, sample rate etc, the other 'TotalMix' for routing, effects, mixer in all its forms. Incompatibilities: yes but for once the fault of Linux and ALSA bug that covers all class compliant USB 2.0, so all hardware specifications USB2.0.

There will be no better off with another manufacturer. The manual is clear and sufficient in English, 102 pages still quite dense but useful.

For Francophones only they can usefully refer to the manual sister UFX, which exists in French and corresponds to almost everything, including routing, Totalmix and its uses. OVERALL OPINION I've had a few months, but I use it in the studio at the moment. I had a Multimix USB4 two Line6 Toneport before and I have not tried anything else before buying. Like most sound clarity: with the computer speakers can already hear a difference and clarity in my own mix that I did not hear before, and with the studio monitors or headphones, the listening crystal.

I guess (and hope) that future recordings will benefit from the clarity and I can get better at recording and mixing. Too bad for Linux, it is shredded for now, but again, this is not the fault of RME. Although the specifications of public driver, or a Linux driver, considering the price, it would not be well received. In terms of money, I'm not disappointed but I can not compare, with no other materials of the same range. At the same time, for these kinds of opportunities, not to mention the sound quality, though a bit subjective, routing, number of input / outputs including digital, I feel there is a good value.

With experience, I would do this choice, I feel like a little gem interface, this is the first time I material of this quality and it feels good. I made a hardware change, with a resale for UCX, for use USB (over firewire).

Being very satisfied with the 400, I went by the new model from RME. I use all the connections, analog + digital, and everything works nickel. I like the ability to use the effects of the card live, I use including compressor and high-cut (gate), and even a little reverb if needed. Use + live recording.

The TotalMix is ​​excellent to handle everything! UTILIZATION Super stable drivers - use with Reaper. GETTING STARTED Installation super quick and relatively simple. Detailed manual and despite the complexity, we found it easily. OVERALL OPINION Use for 4 months (but before 6 years ). Not tried anything else, it fits my needs well.

I love TotalMix and the possibility of using the standalone unit. 2 preamps I would have liked more, it not eat bread Good quality / price ratio, even if we would ever! I remake this choice, or maybe I'll take the model above (UFX). View global opinion UTILIZATION View global opinion GETTING STARTED View global opinion OVERALL OPINION I do not often leave reviews on AF but I think this product deserves to be recognized at its fair value!

Interface with high quality preamps also very very good build quality and RME really superb! The UCX also allows access to the USB or Firewire (useful when you see the new mac book pro for example) and I do not regret paying a bit more for this option (as opposed to CUs Only USB memory). The program is simple to use TotalMix and complete the RME converters are really good, in short I am very happy with my purchase (made about 6 months ago). I would recommend the product to anyone wanting a pro interface and works well with a good quality / price ratio, it is reliable and well made with a very good audio quality (after if you want to thousands of dollars in the prism do not deprive yourself if you can afford it ). The characteristics - see website rme My goal was to make an upgrade to my studio, including a new PC and a new sound card with a level above the previous both in terms of the number of inputs / outputs as quality point of view. The specifications being: -Stability Latency-equivalent to PCI -A top quality conversion The preamps-good quality - good suffisemment to make choices is taken One possibility-control monitors After extensive research, the UCX is the only option I've found, especially the latency score equivalent to USB PCI.

Very Good Sounding Audio Interface For Mac Mac

But it was also to include remote monitoring of output level. UTILIZATION Installation - trivial. Stability RME - copy.

Latency with buffer 128 - input: 3.5 ms, output: 3.9 ms - mission accomplished (used in USB 44.1kHz). I used the latest drivers and latest firmware.

My machine is beefy: i7 3770, 8GB RAM, SSD, windows 8-64 bits. GETTING STARTED see above OVERALL OPINION While talking about the principal: the sound. After reading moultes reviews and opinions on the interest to upgrade its converters.

Does ca means? Justifies the difference does the price etc. I was curious to see the effect. Result: the difference is obvious.

More details in the sound, more potato, bass and more defined herein. It is as if a veil was regulator. And I want to clarify that the difference is obvious even using the DA only: playing with virtual synthesizers only. It is important to clarify that my monitors were qualibres depending on the piece of way to obtain the frequency response as flat.

I imagine someone trying to evaluate ca with HP stereo, in which case the difference is insignificant. In short, the answer is: ca worth it, but there are steps to respect essential preliminary before making a change in sound card.